Títeres or Mexican puppets, an ancestral tradition of Mexico
"The tradition of puppets has marked the history of our country for hundreds of years. Clay figurines have been found in archaeological sites of Tlaxcala such as Cacaxtla and Xochitécatl, which imitate articulated human beings. The children of the high social classes already had these toys in pre-Hispanic times," says Julio García Castillo de rehiletes.com, a specialist in cultural tourism in Tlaxcala.
There is even a Mayan codex that reveals the character Teokikixltli (the one who makes the gods dance), who in one hand shows a gloved puppet and in the other a threaded puppet.
Alberto Beto Orozco García's family has kept this Mexican historical tradition alive with dedication, passion and inexhaustible love for puppets. Three generations at the service of this art that Beto, 34 years old, began to learn at the age of 8.
From the construction of his own puppets to the arrangement of the works and stages to their handling, Beto and his four siblings - and now his nephew - keep the tradition alive. His mother, Aída García Hernández, makes the costumes for the puppets.
"It's a family tradition that I follow because I've known it since I was born. Everyone at home is a musician, a puppeteer; my older brother is an opera singer, my mother sews the costumes," explains Beto.
If anyone can give life to acrobats, a tequila skeleton, a sad tenor or a puppeteer in pain, it's Beto, with magical hands that move the puppets in such a way that they magnetize the audience.
Beto has directed the puppet theatre group La Bruja, based in Huamantla, Tlaxcala, since 2005. Most of its members belonged to the group Malitzin (National Puppet Museum) from 1993 to 2002.
La Bruja is made up of musicians, dancers, teachers, administrators, painters, and singers. Its main objective is to preserve and spread the puppetry art in Mexico.
Rosete Aranda Family
In 1835 the automaton company of the Rosete Aranda Brothers was created, the most important puppet company in Mexico and known worldwide, whose influence has reached Russia, wherein one of its universities there is a theatrical subject called Rosete Aranda.
The Huamantla Museum preserves the collection of the Rosete Aranda Brothers. This establishment also houses an extensive collection of puppets from Germany, France, Italy, Indonesia, China, South America, the United States, and Mexico thanks to the donations of many of the international puppet companies that participate in the International Puppet Festival that takes place during the last two weeks of October.
The name puppet is an onomatopoeic word that the actors made with a whistle producing a ti-ti while moving the dolls. Here comes the ti-ti-ritero!
Within the puppet theatre, there are different techniques: threads, gloves, rod, shadow, mouths, ventriloquists, blackjack, shooting.
A puppet can be manipulated in so many ways that the expression has already passed to popular culture under the saying: "they manipulate you like a puppet".
The Huamantla Puppet Museum is not only an exhibition but a journey through the history of Mexico. Here you can see how Friar Simeon evangelized by moving the puppets with the threads of a cross of Christ.
The puppets also preserved unwritten stories with shows such as that of Don Ferruco and Doña Mariquita who, in addition to being great artists, were masters who went deep into the mountains to alphabetize an entire generation through the puppets.
Some puppets were so relevant that they later went on to television as La Familia Telerín, which was first a group of Mexican puppets.
The name guiñol also comes from the history of Mexico: it was a character who during the French intervention encouraged Mexican soldiers to fight. Monsieur Guignol and his doll were all characters of the time.By EFE